- Listening Between the Notes -

- Blog #6 -

Notes on sound, story, and quiet moments

 

For many years I’ve written music for film and television, concerts, and live events — but with film and TV,  it's been the kind of work where the music’s

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- The Night Within -

 

 

 - Blog #5 -


 


 

I just finished a comedy album.


 

It’s energetic, rhythmic, timing-driven. It lives in the daylight. It interacts. It moves quickly. Comedy has its own musical intelligence — pacing, restraint, release.


 

And at the same time, I

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- A Film Score Should Never Create More Work -

 

- Blog #4 -

 

A few years ago, I was brought into a short film late in post.

The edit was strong. The performances were honest. The director was exhausted.

Not creatively exhausted — just exhausted.

The cut had gone

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- The Part Of Composing No One Sees -

 

- Blog #3 -

 

 

Most people probably imagine composing as sitting at a piano, playing a guitar, or staring at a screen, writing notes until something clicks. And mostly, that’s true.


 

But, for me, the part that takes the longest

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- What I’m Paying Attention To Lately -

 

- Blog #2 -

 

Lately, I’ve been paying attention to the difference between what’s actually changing, and what only feels like it is.


Some of that comes from my own habits. It’s easy to feel behind if you’re not careful

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Why I'm Writing This

 

- Blog #1 -

 

For most of my career, I didn't feel the need to explain what I do. The work spoke for itself, or at least that's what I believed. I composed, delivered, revised, delivered again and moved on

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